Paparazzi (Lady Gaga song)

"Paparazzi"
Single by Lady Gaga
from the album The Fame
Released July 5, 2009
Format CD single, digital download
Recorded 2008; 150 Studios, Parsippany-Troy Hills, New Jersey
Genre Synthpop, electropop
Length 3:29
Label Streamline, Kon Live, Cherrytree, Interscope
Writer(s) Stefani Germanotta, Rob Fusari
Producer Rob Fusari
Lady Gaga singles chronology
"Chillin"
(2009)		 "Paparazzi"
(2009)		 "Bad Romance"
(2009)

"Paparazzi" is a song by American recording artist Lady Gaga. It was released as the final single from her debut album The Fame (2008). Written by Rob Fusari and Gaga, the song portrays Gaga's struggles in her quest for fame, as well as balancing success and love. Musically, it is an up-tempo dance song whose lyrics describe a stalker following somebody to grab attention and fame.

It was the album's third single in Ireland, Italy and the United Kingdom, the fourth in Canada and the United States and the fifth in Australia, France and New Zealand. Although released on July 6, 2009, in the United Kingdom and four days later in Australia, "LoveGame" initially had been planned as the third single release in the United Kingdom but deeming its lyrics and music video potentially controversial, it was decided that "Paparazzi" would be released instead.[1] "Paparazzi" was critically acclaimed for its fun-filled, club-friendly nature while and also became commercially successful when it reached top-ten positions in the music charts of Australia, Canada, Ireland, the United Kingdom and the United States while reaching number one in the Czech Republic and Germany.

The accompanying music video portrays Gaga as a doomed starlet, hounded by photographers, who is almost killed by her boyfriend. It shows her survival, comeback, revenge on her boyfriend, and experiences on the way to fame. The video won two MTV Video Music Awards in 2009 for Best Art Direction and Best Special Effects. Gaga also performed the song at the 2009 MTV Video Music Awards in a performance art piece symbolizing the negative effect of fame leading to death. Additional live performances of the song include on The Fame Ball Tour, where it was the opening song, on an October 2009 episode of Saturday Night Live and on The Monster Ball Tour. On the first leg of the tour, she appeared as a Rapunzel-like character; from the second leg onwards, she performed the song alongside a giant anglerfish ("The Fame Monster") who, attempting to devour her, was killed after her leotard shot sparks into the creature.

Contents

Writing and inspiration

When Ron Slomowicz from About.com referred to different interpretations of the single, Gaga responded:

Well I'm so glad there are a few different interpretations, that was the idea. The song is about a few different things – it's about my struggles, do I want fame or do I want love? It's also about wooing the paparazzi to fall in love with me. It's about the media whoring, if you will, watching ersatzes make fools of themselves to their station. It's a love song for the cameras, but it's also a love song about fame or love – can you have both, or can you only have one?[2]

To the Australian Daily Telegraph, Gaga explained that the song was also about struggling to balance success and love.[3] Bill Lamb from About.com concurred that "the song is a tribute of sorts to the symbiotic but ultimately fake and 'plastic' relationship between stars and their trailing paparazzi [...] who, for better or worse, are there to document and, in a sense, create the stardom."[4]

Composition

"Paparazzi" has a similar up-tempo composition to the previous singles "Just Dance" and "Poker Face"[5] and carries a sultry beat.[6] The song has a moderate electro-synth groove and is in the key of C minor with a tempo of 115 beats per minute.[7] It is set in common time, and Gaga's vocal range spans from a low-note of G3 to the high-note of E♭5. The verses follow in the chord progression of Cm–A♭–Cm and the chorus uses an A♭–E♭–Fm–D♭ progression.[7] According to Bill Lamb of About.com, Gaga's voice is heard above these beats, seductively as if enticing the listener to the complex world of stardom.[4] "Paparazzi" is based on slightly langorous synth textures and incorporates percussion to convey the emotions.[4] Emotions lying in the composition range from sexual desire, dread, and resigned acknowledgment to an insistence to have fun.[4] The lyrics of "Paparazzi" deal with stalking and the trappings of fame.[8]

Critical reception

The song has been critically acclaimed by music critics. In 2011, Rolling Stone called it the second greatest Lady Gaga song ever, praising the song's theme and beat.[9] Jill Menze of Billboard, while reviewing The Fame Ball Tour, complimented Gaga's vocals on the song by saying, "The fame-obsessed ballad 'Paparazzi' showed how adept she can be with her range."[10] Alexis Petridis of The Guardian said that, "You may quickly tire of hearing the album's theme constantly reiterated, but the tune of 'Paparazzi' takes up residence in your brain and refuses to budge."[11] Stephen Thomas Erlewine of Allmusic, called the song clever and said that it "functions simultaneously as glorious pop trash and a wicked parody of it."[12] Ben Norman of About.com said that the song was one of his favorite three of the album and that it was amazing.[13] Priya Elan of The Times thought that "even the trio of songs that provides the core of the album's celebrity theme ('Paparazzi', 'Beautiful Dirty Rich' and the title track) don't ruminate on the addictive inanity of fame, choosing instead to observe passively."[14] Bill Lamb from About.com felt that the song was Gaga's top artistic achievement. He went on to list the symbiotic star and paparazzi relationship, the emotion behind the words and music, and the insistent vocals by Gaga as the pros of the song.[4]

Evan Sawdey of PopMatters said that both "Paparazzi" and the earlier single "Poker Face" are comparable with the musical styles of first single "Just Dance" but added that "never once does it feel like Gaga is deliberately repeating herself; instead, her faults only come from covering territory that she’s obviously not prepared for."[5] Freedom du Lac of The Washington Post said that even though Gaga turns somewhat serious while disapprovingly singing "Paparazzi", the song comes across as flat and faceless as well as vapid.[15] Erika Howard of the New Times Broward-Palm Beach called it the most telling track from the album.[16] Jon Caramanica of The New York Times said that "'Paparazzi' is a love letter from camera to subject but stops short of admitting that the affection runs both ways. Any notion that Lady Gaga is sketching an elaborate stunt is stopped cold at the lyric sheet, a perverse flaunting of simplicity that betrays no cynicism whatsoever."[17] Pitchfork Media ranked 'Paparazzi' number 83 on their list of 2009's 100 best tracks.[18]

Chart performance

In the United States, the song debuted on the Billboard Hot 100 at position seventy-four on the issue dated September 12, 2009. It reached a peak of six, becoming her fourth consecutive top-ten song on the chart.[19] With the song, Gaga joined Christina Aguilera, Beyoncé, and Fergie as the only women this decade to collect four Hot 100 top-tens from a debut album.[20] It also reached the top of Billboard's Pop Songs chart, thus making Gaga the first artist in the seventeen year history of Pop Songs chart to have her first four singles from a debut album reach the top of the chart.[21] The song also topped the Hot Dance Club Songs chart.[22] It has sold 3,126,000 paid digital downloads in the United States to date according to Nielsen Soundscan.[23] It is Gaga's third song to top the three-million mark.[24] "Paparazzi" debuted on the Canadian Hot 100 at number ninety-two[25] and moved up to fifty seven the following week becoming the weeks greatest digital gainer.[26] The song has reached a peak of three on the chart.[27]

"Paparazzi" debuted on the official Australian Singles Chart at number seventy-three on the issue dated June 1, 2009 and leaped to twenty-seven the next week.[28] The song has peaked at number two, giving Gaga her fourth top five single in Australia.[29] The song was certified two-times platinum by the Australian Recording Industry Association (ARIA) for shipment of 140,000 copies.[30] In New Zealand, "Paparazzi" debuted at number twenty-three on the issue of June 22, 2009[31] and reached a peak of five.[32] The song was certified gold by the Recording Industry Association of New Zealand (RIANZ) after fourteen weeks on the chart, shipping over 7,500 copies.[33]

The song debuted on the UK Singles Chart at number ninety-nine in February 2009 due to digital downloads after the release of The Fame. It reached number thirteen for the issue dated June 21, 2009 after jumping from forty-three to this position from the last week.[34] The next week the song further climbed to eight[35] and ultimately peaked at four.[36] The song also debuted at number thirty-eight on the Irish Singles Chart[37] and has peaked at number four.[38] "Paparazzi" reached number one in Germany, making it her second chart-topper there. The song also debuted on the Dutch Top 40 at number twenty-seven on the issue dated July 18, 2009.[39] It has peaked at number four on its sixth week on the chart.[40] In Italy, the song debuted at number nineteen and then climbed to number three, becoming Gaga's second top three there.[41]

Music video

Development

The music video was directed by Swedish director, Jonas Åkerlund, who has previously directed music videos for artists like The Smashing Pumpkins, Madonna, Moby, Rammstein, and U2. His wife Bea Åkerlund was hired as Gaga's stylist for the video.[42] Gaga told MTV that she had finished shooting "[..] my video for 'Paparazzi,' which I really am very pleased with the way that turned out. It's like a short film."[43] In an interview with The Canadian Press on May 26, 2009, Gaga cited her video as "the most amazing creative work that [she's] put together so far."[44] She went on to describe the idea behind the video and the message it gives as,

"It has a real, genuine, powerful message about fame-whoring and death and the demise of the celebrity, and what that does to young people. The video explores ideas about sort of hyperbolic situations that people will go to in order to be famous. Most specifically, pornography and murder. These are some of the major themes in the video.[44]

The video was supposed to premiere on June 4, 2009, in the United Kingdom and Ireland, on Channel 4. However, while touring in Australia, Gaga posted a message on her Twitter account on May 29, 2009 saying "Stop leaking my motherfucking videos", which referred to the video being released without the singer's consent.[45]

Synopsis

The music video is an eight minute mini-movie starring Gaga and Swedish actor Alexander Skarsgård as her boyfriend. It features a murderous plot line involving a doomed starlet who is constantly followed by photographers.[45] The video opens with a shot of a seaside mansion, where Gaga and her boyfriend are shown lying on a bed talking in Swedish. They move to the balcony and start making out; however, when hidden photographers start taking pictures of them, Gaga realizes that her boyfriend has set the paparazzi to photograph her and tries to stop him.[46] Her struggles nevertheless remain futile even when she punches him, and in a final frantic attempt at defense, she smashes a nearby bottle of liquor into his face. The enraged boyfriend throws her over the balcony. Gaga lies at the ground in her own blood as the photographers continue take pictures of her bloody body and tabloid headlines proclaim that her career is over.[45] According to Rolling Stone this scene pays homage to Alfred Hitchcock's film Vertigo.[47]

Gaga is shown getting out of a limousine, being carried by male dancers to a wheelchair. It is during this scene, that the song starts.[48] As the dancers gyrate around her, she starts walking down the carpet with the help of a pair of crutches while wearing a metallic bustier and a matching helmet. The metallic outfit is a reference to the film Metropolis. These scenes are interspersed with scenes of dead models lying around the mansion. We later learn that the dead housekeeper is actually the very same one that brings Lady Gaga and her "boyfriend" their coffee/tea, implying Gaga killed her next (and maybe the other girls?).[45] Next Gaga is shown on a golden couch where she makes out with a trio of hair metal rockers during the line "Loving you is cherry pie". The trio, known as Snake of Eden, are from reality television dating program Daisy of Love.[48] According to MTV this scene is a reference to the song "Cherry Pie" by American glam band Warrant.[45] This sequence was dedicated to Gaga's initial days as a dancer at rock clubs. Right after that, the chorus starts again with Gaga wearing a white body suit and a black skirt on her right leg.[46] The video continues through the intermediate bridge with Gaga wearing a dress made up of film strips and a towering feathered Mohawk headdress.[45]

In the next scene, Gaga and her eye-patch wearing boyfriend are reading magazines on a sofa in a tea room. Gaga wears a yellow jumpsuit with circular glasses and shoulder pads.[46] The Guardian compared this look with that of Minnie Mouse.[49] She finally takes her revenge on her boyfriend by discreetly poisoning his drink with white powder concealed in her ring (like Lucrezia Borgia is rumored to have had). As he falls dead, Gaga calls 9-1-1 and declares that she just killed her boyfriend.[45] The police arrive at the mansion and arrest Gaga who, wearing a tall ice cream cone corkscrew wig, walks to the police car as the paparazzi surround her once again.[45] Images flash by, with newspapers proclaiming her innocence[46] and that Gaga is back in the spotlight and has regained her fame. The video ends with Gaga posing for mug shots like a fashion model while wearing a tulip shaped metallic dress similar to the single cover. The Daily Mail compared this dress with a similar outfit worn by singer Beyoncé Knowles on her I Am... Tour.[50]

Reception

Rolling Stone writer Daniel Kreps compared the video with the music video of "November Rain." The scenes of the dead models were described as stomach turning while he complimented the video for "brimming with cinematic style [so] that it’s hard to take your eyes off it, though it will likely be labeled as a little self-indulgent." He also commented on the leaking of the video saying that it "warranted more than just a simple leak; it deserved a red carpet."[47] Anna Pickard from The Guardian complimented the video saying that "quite a lot of work has gone into it". However, she opined that the video was too long.[49] Entertainment Weekly gave a positive review of the video, saying it "gives us even more of the next-level cuckoo we’ve come to expect from the girl born Stefani Joanne Angelina Germanotta." The paparazzi theme of the video was compared to Britney Spears's 2004 video, "Everytime."[51] Daily Mail said of the video, "Lady GaGa certainly likes to make a statement, and her latest video is no exception."[52] MTV News called the video a "1940s romantic-epic-style video" that "proves once and for all that Gaga is a true original with a unique vision."[53] The video was nominated for five VMAs at the 2009 awards in the categories of Best Direction, Best Editing, Best Special Effects, Best Cinematography and Best Art Direction. Along with four other nominations for "Poker Face", she and Beyoncé were tied for most nominations that year.[54] The video won the award for Best Art Direction and Best Special Effects.[55] The music video for Gaga's single "Telephone" is a continuation of the "Paparazzi" music video, and is a short film as well. The video picks up right where "Paparazzi" left off; starting with Gaga in prison.[56]

Live performances

Gaga performed "Paparazzi" live on the UK program, The Album Chart Show on February 14, 2009 as promotion for The Fame.[57] The song was performed at Capital Radio 95.8 FM in an acoustic piano version on May 1, 2009.[58] On June 26, 2009, Gaga performed the song at the Glastonbury Festival emerging from a silver case on stage.[59] The song was a major part of Gaga’s performance in her first headlining Fame Ball tour as the opening number of the setlist. The show started with a video intro called "The Heart" where Gaga played an alternate persona called Candy Warhol.[60] She wore a silver and black short skirt like a tutu and shaped like peplum on both sides.[61][62][63][64] She was surrounded by her dancers holding plates which were encrusted with crystals and completely hid them.[6][65] The stage was surrounded by mechanical fog and heavy lighting was being emitted from the background.[62][64]

It was also performed at the 2009 MTV Video Music Awards.[66] The performance began with Gaga lying on the floor, on a set that was described as an ornate mansion. Gaga staggered across the stage and pirouetted behind a dancer in a lily-white wheelchair. She made her way to a white grand piano which she played by placing one foot up on the keyboard. Once again, she staggered across the stage, with theatrical blood dripping from her ribcage. She collapsed on the stage wailing in agony as one of the dancers gently lifted her. Gaga then hung liflessly with one hand rising above her dancers and blood smeared on her face with a golden halo being projected on the screen behind her.[66] She later commented that the performance was for her fans: "I wanted to say something honest and real and not just give a performance where I was jacking off on stage the whole time about my record," [...] It was really for my fans, who I knew would be at home cheering and swooning."[67] In a poll conducted by Billboard, the performance was ranked as the third best in the history of MTV Video Music Awards.[68]

The song was performed by Gaga in a similar choreography at the thirty-fifth season of American comedy show Saturday Night Live.[69] It was also present on the set list of Gaga's The Monster Ball Tour. She wore multiple donned braided extensions and was perched atop a railing. From each of her braids, a dancer was attached on the stage. A backdrop of stars were shown during the performance.[70] During the revised shows of The Monster Ball, Gaga changed the concept and the performance of the song. She wore an emerald green dress by Thierry Mugler, and was attacked by a giant, mechanical Angler fish. Gaga then removed the dress to reveal a leotard of the same color and during the bridge she is lowered beneath the stage to acquire her pyro-technic bra. In the final chorus of the song Gaga returns and kills the monster with the sparks from the bra .[71]

Track listing

  1. "Paparazzi" (Album Version) – 3:28
  2. "Paparazzi" (Filthy Dukes Remix) – 5:21
  • Canadian & Australian iTunes remix EP[75][76]
  1. "Paparazzi" (Stuart Price Remix) – 3:19
  2. "Paparazzi" (Moto Blanco Edit) – 4:05
  3. "Paparazzi" (Filthy Dukes Club Mix) – 5:21
  4. "Paparazzi" (James Carameta Tabloid Club Edit) – 4:27
  1. "Paparazzi" – 3:27
  2. "Paparazzi" (Filthy Dukes Club Mix) – 5:21
  3. "Paparazzi" (Moto Blanco Edit) – 4:05
  4. "Paparazzi" (Stuart Price Remix) – 3:19
  5. "Paparazzi" (Yuksek Remix) – 4:47
  • US iTunes Remix EP[79]
  1. "Paparazzi" (Demolition Crew Remix) – 3:55
  2. "Paparazzi" (Moto Blanco Edit) – 4:05
  3. "Paparazzi" (Stuart Price Remix) – 3:19
  4. "Paparazzi" (Filthy Dukes Club Mix) – 5:21
  • US 'The Remixes' CD single[80]
  1. "Paparazzi" (Demolition Crew Remix) – 3:55
  2. "Paparazzi" (Moto Blanco Edit) – 4:05
  3. "Paparazzi" (Stuart Price Remix) – 3:19
  4. "Paparazzi" (Filthy Dukes Club Mix) – 5:21
  5. "Paparazzi" (James Camareta Tabloid Club Edit) – 4:27
  6. "Paparazzi" (Album Version) – 3:29
  7. "Paparazzi" (Instrumental Version) – 3:29
  • French and German iTunes Remix EP/Germany 'The Remixes' CD single[81][82][83]
  1. "Paparazzi" (Moto Blanco Edit) – 4:05
  2. "Paparazzi" (Moto Blanco Bostic Dub) – 6:42
  3. "Paparazzi" (Demolition Crew Remix) – 3:55
  4. "Paparazzi" (Stuart Price Remix) – 3:19
  5. "Paparazzi" (Filthy Dukes Club Mix) – 5:21
  6. "Paparazzi" (Yuksek Remix) – 4:47
  7. "Paparazzi" (James Camareta Tabloid Club Edit) – 4:27
  8. "Paparazzi" (Radio Edit) – 3:28
  • US iTunes Remix EP #2[84]
  1. "Paparazzi" (Chew Fu Ghettohouse Radio Edit) – 3:39
  2. "Paparazzi" (Yuksek Remix) – 4:47
  3. "Paparazzi" (James Camareta Tabloid Club Edit) – 4:27

Credits and personnel

Credits adapted from The Fame album liner notes.[85]

Charts, certifications and procession

Charts

Chart (2009) Peak
position
Australian Singles Chart[29] 2
Austrian Singles Chart[86] 3
Belgian Singles Chart (Flanders)[86] 7
Belgian Singles Chart (Wallonia)[86] 6
Brazilian Hot 100 Airplay[87] 18
Canadian Hot 100[27] 3
Czech Airplay Chart[88] 1
Danish Singles Chart[86] 12
Dutch Top 40[40] 4
European Hot 100 Singles[89] 3
Finnish Singles Chart[86] 9
French Singles Chart[90] 6
German Singles Chart[91] 1
Hungarian Airplay Chart[92] 10
Irish Singles Chart[38] 4
Italian Singles Chart[41] 3
New Zealand Singles Chart[32] 5
Slovak Airplay Chart[93] 5
Spanish Singles Chart[86] 46
Swedish Singles Chart[86] 22
Swiss Singles Chart[86] 4
UK Singles Chart[36] 4
US Billboard Hot 100[19] 6
US Adult Contemporary[94] 15
US Hot Dance Club Songs[22] 1
US Pop Songs[21] 1

Decade-end charts

Decade-end chart (2000–09) Position
Australian Singles Chart[95] 78

Certifications

Country Certifications
Australia 2× Platinum[30]
Denmark Gold[96]
Germany Gold[97]
Italy Platinum[98]
New Zealand Gold[33]
Switzerland Gold[99]
United Kingdom Gold[100]
United States 3× Platinum[101]

Year-end charts

Chart (2009) Peak
position
Australian Singles Chart[102] 12
Austrian Singles Chart[103] 21
Belgian Singles Chart (Flanders)[104] 74
Belgian Singles Chart (Wallonia)[105] 59
Canadian Hot 100[106] 18
Dutch Top 40[107] 31
European Hot 100 Singles[89] 34
French Singles Chart[108] 92
German Singles Chart[109] 23
Hungarian Airplay Chart[110] 49
Italian Singles Chart[111] 24
New Zealand Singles Chart[112] 41
Swiss Singles Chart[113] 29
UK Singles Chart[114] 18
US Billboard Hot 100[115] 53
Chart (2010) Peak
position
European Hot 100 Singles [116] 45
US Billboard Hot 100[117] 64
US Adult Contemporary[118] 38

Chart procession and succession

Preceded by
"Sexy Bitch" by David Guetta featuring Akon		 German Singles Chart number-one single
October 16, 2009 – October 23, 2009		 Succeeded by
"Bodies" by Robbie Williams
Preceded by
"I Gotta Feeling" by The Black Eyed Peas
"Sexy Bitch" by David Guetta featuring Akon		 Czech Airplay Chart number-one single
November 5, 2009 – November 19, 2009 (first run)
December 3, 2009 – December 17, 2009 (second run)		 Succeeded by
"Sexy Bitch" by David Guetta featuring Akon
"Hush Hush" by Pussycat Dolls
Preceded by
"Million Dollar Bill" by Whitney Houston		 U.S. Billboard Hot Dance Club Songs number-one single
November 14, 2009 – November 21, 2009		 Succeeded by
"Did You See Me Coming?" by Pet Shop Boys
Preceded by
"Party in the U.S.A." by Miley Cyrus		 U.S. Billboard Pop Songs number-one single
November 14, 2009 – November 28, 2009		 Succeeded by
"Whatcha Say" by Jason DeRulo
Award procession and succession
Preceded by
Good Life by Kanye West		 MTV Video Music Award for Best Special Effects
2009		 Succeeded by
"Uprising" by Muse
Preceded by
Run by Gnarls Barkley		 MTV Video Music Award for Best Art Direction
2009		 Succeeded by
"Dog Days Are Over" by Florence and the Machine

Release history

Region Date
Ireland[119] July 5, 2009 (2009-07-05)
United Kingdom[119] July 6, 2009 (2009-07-06)
Australia[73] July 10, 2009 (2009-07-10)
Italy[120] July 17, 2009 (2009-07-17)
United States[121] September 8, 2009 (2009-09-08)
Germany[122] September 11, 2009
France[123] December 7, 2009

References

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  3. ^ Hutchinson, Jane (2009-06-21). "Radio GaGa". The Daily Telegraph (News Corporation). http://www.dailytelegraph.com.au/lifestyle/sunday-magazine/radio-gaga/story-e6frf039-1225737678506. Retrieved 2009-06-22. 
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Lady Gaga
Studio albums
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Singles
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Promotional singles
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